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Competency model for theatre acting profession
Bartoš, Vojtěch ; Kocianová, Renata (advisor) ; Mühlpachr, Pavel (referee)
My thesis discusses competencies necessary for the profession of a stage actor and requirements and demands on such professionals. The aim of my thesis is creation of generic competency model of the profession of a stage actor, which could be useful to drama oriented theatre organizations in the Czech Republic. The thesis approaches the topic of competencies and competency approach in human resources and focuses on selected acting theories. On such theoretical foundations the competencies are identified through expert panel method and the generic competency model of acting profession is assembled. Keywords: competency, competency model, competency based management, actor, acting profession, expert panel, K. S. Stanislavskij
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Václav Voska's theatre, film and television acting in Czech artistic and social context in the second half of twentieth century
Neureuterová, Jitka ; Just, Vladimír (advisor) ; Jiřík, Jan (referee)
SUMMARY: This thesis focuses on theatre, film and television acting of one of the important representatives of Czech dramatic art in Czech artistic and social context in the second half of the twentieth century. The aim of this work is to depict means of expression used by Vaclav Voska in his roles. It provides summary of actor's theatrical work and in the part dedicated to his TV acting tries to comprehensively describe compering television series "We invite you to the theatre". The following part is dedicated to film acting, especially to his cooperation with the Film Academy of Performing Arts in Prague. The work neither neglects his teaching at the Faculty of Performing Arts Theatre nor his political career. The essential part of this thesis is focuses on his role of Emile Magis in Félicien Marceau's game The Egg. The work purposely omits on Vaclav Voska's production of spoken word (radio, Poetic Cafe Viola, Lyra Pragensis) and it refers only to his major achievements only if they are relevant for analyzed topics. Complete list of theatre and film production is given at the end of his work. The TV list is only a selection with regard to the factual ambiguity at the beginning of the functioning of the medium. The work provides factual data - in some cases, they are presented to public for the first time...
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Era of Zdenek Hofbauer's activities at the Pilsen Municipal Theatre in 1948 - 1953
Zdeňková, Klára ; Just, Vladimír (advisor) ; Sarkissian, Alena (referee)
This bachelor thesis deals with period in between 1948 and 1953 when Zdeněk Hofbauer was artistic director of J. K. Tyl Theatre. I focused on the drama group, nevertheless I also mention another two theatre artistic groups. Text is devided into two main parts - the first is about Zdeněk Hofbauer (his personal and professional life) and the second is about each theatre season in Hofbauers era in Pilsen. The main resources for this work were studies of theatre critics in the newspapers, the Pilsen archive of J. K. Tyl Theatre and publications about period Czech theatre.
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Jan Tříska in Czech theatre and film after the year of 1989
Třísková, Jana ; Just, Vladimír (advisor) ; Sarkissian, Alena (referee)
This thesis investigates acting performance of Jan Triska in Czech theatre and film after the revolution of 1989. It focuses on seven specific performances in the theatre productions of King Lear, The Art, The Tempest and Leaving and in the films Elementary School, Lunacy and Piknik. On the basis of reviews, photographs, video recordings of King Lear and Leaving and as well as the above mentioned films, this thesis attempts to define the characteristics of the actor's performance. The work includes a list of Jan Triska's roles in Czech theatre and film since 1989 and a personal interview with Jan Triska about acting in the USA. Powered by TCPDF (www.tcpdf.org)
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Competency model for theatre acting profession
Bartoš, Vojtěch ; Kocianová, Renata (advisor) ; Mühlpachr, Pavel (referee)
My thesis discusses competencies necessary for the profession of a stage actor and requirements and demands on such professionals. The aim of my thesis is creation of generic competency model of the profession of a stage actor, which could be useful to drama oriented theatre organizations in the Czech Republic. The thesis approaches the topic of competencies and competency approach in human resources and focuses on selected acting theories. On such theoretical foundations the competencies are identified through expert panel method and the generic competency model of acting profession is assembled. Keywords: competency, competency model, competency based management, actor, acting profession, expert panel, K. S. Stanislavskij
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Alfréd Radok and His Stage Practices. Analysis of the Production of Devil's Circle
Petružela, Jan ; Christov, Petr (advisor) ; Stehlíková, Eva (referee) ; Šormová, Eva (referee)
2 Mgr. Jan Petružela Alfréd Radok and His Stage Practices Analysis of the Production of Devil's Circle Abstract Alfréd Radok (1914- 1976) started his second term at the National Theatre (1954-1960) with two moderate productions, in which he, due to the Stalinist régime, suppressed his creative power. However, the following season Radok came with the production of Devil's Circle (1953), schematic play by Hedda Zinner about the Leipzig trial (1933), in which he found his essential topic - to grasp the Zeitgeist and manifest a universal mechanism of totalitarian power and trumped-up political trials. In this production, staged in the period of mild political "thaw", Radok managed to bring back to the Czech theatre modern stage directing practices and re-established the position of stage director, which was reduced in the previous years by the dogmatic aesthetics of socialistic realism. The production of Devil's Circle (prem. December 21, 1955) at the Estates (then Tyl's) Theatre, warmly received by audience as well as critics, renewed and developed for that time unprecedented, though historically verified principles: imaginative, non-descriptive theatre with a meaningful overlap, strict approach to acting with an emphasis on realistic, civil-like expression, interpretation of dramatic sitution, intense work...
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Chanson as a complex speech act and its translatability
Stehlíková, Aneta ; Jančík, Jiří (advisor) ; Suková Vychopňová, Kateřina (referee)
Title of the thesis: The chanson as a complex speech act and its translatability Keywords: chanson, translation, song lyrics, chansonnier, interpretation, acting, nonverbal communication, Aznavour, Bécaud, Piaf, Hegerová, Gott, Čeřovská, cabaret Abstract: The aim of the thesis is to describe the possibilities and the limits of translatability of chanson with regard to song lyrics and dramatic performance. The main contribution consists in determination of a relation between borrowed chansons and their French originals. The realization of the thesis is based on a research on the field of literary translation and acting on the one hand and on the analysis of song lyrics and dramatic performances on the other hand. The analyses in both cases concern three selected French chansons and Czech versions corresponding to them. The first part of the thesis defines the chanson and explains its historical development in the Czech territory. The theory of literary translation and lyrics translation is presented and applied to the translation of chanson in the second part. The third part deals with possibilities of a dramatic interpretation of chanson on the basis of the theory of acting. The last part brings a double analysis which concerns song lyrics and dramatic interpretation of chosen pairs of chanson.
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